Theodore 'Fats' Navarro: Jazz Great One!

Profound, high-impact jazz trumpet can prove so engaging because of its raw, powerhouse intensity. Such is the case with the sensational trumpet style of Fats Navarro, a powerhouse trumpet artist coming out of the 1940s era. The sound of Navarro is a smashing sound of passion coming from the fact he packed a wallop with his South Florida roots shining strong in his visceral trumpet big sound with his cracklin' and sensuous BeBop jazz innovations that encapsulate the Jack Kerouac style of prose-oriented modern music that made the late 1940s and early 1950s virile jazz so persuasive and vibrant. The Fats Navarro wonderfulness was heavily influenced by the exciting trumpet of Roy Eldridge and also by the great brass man, Charlie Shavers, who could cut some good jazz music his mighty self. The intrigue of the Fats Navarro sound is so unique with his interpretation of tasty ballads. One of my favorite tunes in this genre is the innovative work on the song, 'The Things We Did Last Summer.' It is a song filled with a shiny romanticism that sweeps the listener in, beautifully. Working with great ones like the highly imaginative Tadd Dameron, Charlie Parker and Dizzy Gillespie and Wardell Gray helped bring the luminary one, the noted Fats Navarro even more recognition. I feel the jazz trumpet sound of Fats Navarro is truly remarkable just like that of the immortal Dizzy Gillespie.